Oh, we got Troubletones

You guys, you guys. I am in love with a fictional high school glee club. No, not those darn New Directions. I mean, I used to love them but we were all so young and things were so different then. No, I’m in love with the new girls on the block. I’m in love with the Troubletones.

In a few spectacular numbers, this all-girls phenomena has not just won my heart but wrapped it around my finger and made me beg for more. In all seriousness, I would camp out overnight like a crazed Twilight fan to buy tickets to one of their shows. I have my sleeping bag ready. I am only partially kidding.

When I first saw their” Candyman” performance, I clapped and grinned. So much fun, so much energy. And then came the epic Adele “Rumour Has It/Someone Like You” mash-up. I couldn’t stop watching it and I’ll never stop loving it. So here comes the big Sectionals performance of “Survivor/I Will Survive” tonight. And I think the only way to describe it is to say “Oh, the house that was here? Yeah, it’s gone. The Troubletones brought it down.”

Oh, kittens. Second 53, Second 53.

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But what is more extraordinary, what is more sensational, what makes them not just another group that sings and dances is that this is a group fronted by an amazing African-American young woman and sensational out lesbian Latina young woman and her fierce out bisexual girlfriend. And they’re proud and loud and OH MY GOD, YOU SAW THE BRITTANGO PART, RIGHT?

Also, important sidenote, the choreography they perform during “Survivor/I Will Survive” is known as “waacking,” a style that originated in gay black and Latino disco clubs in the 70s. I ignorantly called it “flail-y when I first saw it, which I apologize profusely for as I know basically nothing about dance history. Kids today are still doing the Charleston, right? I am, clearly, the last person on this Earth who should be commenting on complex choreography. If you really want to see flailing, just watch me dance.

So, in that context, having the Troubletones waacking to a mash-up of a popular gay anthem (and a kick-ass Destiny Child number) is really pretty awesome nod to both minority and gay culture for “Glee.” It’s an organic and empowering way to showcase ethnic communities many probably aren’t familiar with.

Which is why it pains me all the more that the Troubletones will probably lose. Now, stop throwing Slushees at me. I have NO IDEA whether the Troubletones will actually lose. I have no spoilers. I have seen no screeners. I know no insider information whatsoever. But, I do have a brain and eyes and a sense of history. This show is about Mr. Shue’s New Directions, not Shelby Corcoran’s Troubletones. This show is about Finn Hudson and Rachel Berry, not Mercedes Jones and Santana Lopez. So, there is really no way the Troubletones can beat New Directions that works into the narrative Ryan, Ian and Brad have created. Much to my continued chagrin, they are not the heroes of this story. We all know that.

So, again, we pretty much know the Troubletones won’t win. Or they will win, yet somehow still lose. Or there will be some sort of tie, yet somehow still lose. Bottom line, our sassy sisters of song will eventually be folded back into the New Directions. Could I be wrong? I guess anything is possible. But, I fear, tonight will be the last we see of these girl-power, minority-empowering Troubletones.

So, then, I will let them have their mighty swan songs. A look back in wonder.

Rumour Has It/Someone Like You

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Candyman

The petition for a Troubletones spin-off starts here.

Photobomb the system

Grab your flak jacket. Throw on a helmet. It’s time to get photobombed. One of my favorite photos from this year’s Emmys wasn’t a SGALGG moment (because there were precious few to be found, and trust me I looked). No, it was an explosively awesome photobomb by my No. 1 Fake TV Wife Tina Fey. While one might say I am predisposed to think everything Tina does is explosively awesome (and one would be right), I think even under the casual, objective observer would be hard pressed to think differently. Tina photobombing Amy Poehler, Martha Plimpton and Mark Burnett at the Governor’s Ball ranks among my all-time favorite celebrity photobombs. But, of course, there are others. So in the spirit of silliness, please enjoy a few of my favorite celebrity photobombs. Beware celebrities: No matter how hard you pose, another celebrity might sneak in and drop a hilarity grenade.

Sasha Alexander by Edoardo PontiGetting photobombed by your husband? Awkward.

Lucy Lawless & Rob Tapert by Renee O'ConnorGabrielle photobombing Xena? That has to be the start of a fan-fic somewhere.

Taylor Swift by Daniel CraigThis photobomb is shaken, not stirred.

Justin Timberlake & Olivia Wilde by Hugh LaurieHouse has about a million N’Sync jokes running through his head.

Catherine Zeta-Jones & Angelina Jolie by Michael DouglasThis is less of a photobomb and more of a wishful thinking.

Perez Hilton & Amber Riley by Lea MicheleSee, Lea doesn’t always pose for photos the same way.

Sandra Oh & Thomas Haden Church by Paul GiamattiPaul did this because they made him drink Merlot.

Ang Lee & Uma Thurman by Jake GyllenhaalOne of the all-time classic photobombs. Drink responsibly, kids.

Tina Fey by her daughter, AliceWhat can I say, like mother, like daughter.

p.s. “Parks & Recreation” is back tonight on NBC, so watch it y’all or Ron Swanson will photobomb all your future formal portraits.

SGALGG: Gay Globes Edition

Whew, what a night. And by “what a night,” I mean I think only Tina Fey escaped without being hilariously insulted by Ricky Gervais. It was a night of super gay triumphs – “The Kids Are All Right,” “Glee.” Heck, Natalie Portman even gave Mila Kunis a special award for her “sweet lips.” All in all, it was a good night for Straight Gals Acting Like Gay Gays. It was also a good night for Straight Gals and Gay Gals Acting Like Gay Gays and plain-old Gay Gals Acting Like Gay Gays. The Globes really were gay.

SGALGG

Tilda Swinton & Helen MirrenThat hug makes me swoon in the deepest parts of my heart.

Tilda Swinton & Claire DanesTilda, you dog! Does Helen know?

Busy Philipps & Michelle WilliamsThey look like they were just telling each other secrets. Preferably naughty ones.

Amber Riley & Lea MicheleMerBerry?

Naya Rivera & Heather MorrisRyan Murphy, open your eyes.

Piper Perabo & Her PonytailThat’s 1,000 bonus gay girl points for Piper.

Tina Fey & Her NBC PromoShe called her friendship with Amy Poehler, “like Oprah and Gayle, only we’re not denying anything.”

Annette Bening & Julianne MooreThe way Annette is squinting and Julianne is crouching, it’s like they’re still in character as Nic and Jules.

SGGGALGG

Annette Bening & Lisa CholodenkoAnnette is so method, she’s even starting to experience lesbian twin syndrome with Lisa.

Angelina Jolie & Amy PascalEven the high-powered Sony Pictures Entertainment Co-Chairman is doing her best to make a pass at Angie.


GGALGG

Lisa Cholodenko & Wendy MelvoinI wonder if they shared their hair product with Annette.

Jane Lynch & Lara EmbryThis is what a big scary gay marriage looks like, America. Tremble at its adorability.

Santana & BrittanyClearly they’re in character here. Later, they’ll practice scissoring.

For a full Golden Globes recap, check AfterEllen later today.

My Weekend Crush

As the incomparable Mercedes Jones, Amber Riley brings her locomotive of a voice to our living rooms each week. Instantly sassy, irresistibly brassy, her Mercedes is a talent who refuses to play second fiddle, even when that’s all-too frequently the role thrust upon her. She said it herself: “I’m Beyonce. I ain’t no Kelly Rowland.” What Riley brings to Mercedes, besides those ridiculously perfect pipes, is a refreshing burst of confidence. On “Glee,” her presence speaks volumes without even using her voice. On a stage filled almost exclusively with slim starlets and six-packing studs, Riley is more of an everyteen (though in real life she is the crush-appropriate age of 24).

Her size became a subplot for a millisecond last season, but it does not define her. Instead Riley’s Mercedes is known for her confidence, strength, loyalty and – of course – that voice. I know this will be sacrilege to some, but I really loved her rendition of “Sweet Transvestite” in this week’s “Rocky Horror Glee Show” episode. Yes, it was silly they changed “transsexual Transylvania” to “sensational Transylvania.” No, she isn’t Tim Curry. But, lord, who is? Instead she gave it her own sexy stamp. Bonus points for using Brittany and Santana as backup dancers. I don’t know about you, but watching all three of them dance together is definitely good for relieving my tension. Happy weekend and Halloween, all.

SGALGG: Love your television edition

Look, I realize we’re all on a “Glee” high right now (congrats Jane and Lea for those Golden Globe nods – and Matthew, but mostly that’s just for your lesbian hair). But Lea Michele and Dianna Agron aren’t the only TV co-stars who can bring award caliber SGALGG. In fact, many a leading ladies get extracurricularly touchy feely with each other. Those long hours on the set between takes with nothing to do but hang out and look longingly at one another naturally leads to a lot of Straight Gals Acting Like Gay Gals situations. It’s like they know we’re writing the femflash already, so why not help us along. I mean, how can you look at that picture and not know that Joan and Peggy were made for each other?

NCIS: Pauley Perrette & Cote de PabloThe T-shirt says it all.

Grey’s Anatomy: Kate Walsh & Katherine HeiglKatherine seems to be protecting her delicate areas. It’s like she knows Kate is, um, grabby.

Weeds: Mary-Louise Parker & Elizabeth PerkinsHand placement is everything.

The Vampire Diaries: Kayla Ewell & Nina DobrevThey really, really shouldn’t have killed off Vicki.

Gossip Girl: Michelle Trachtenberg & Leighton MeesterEveryone is all about Serena and Blair, but that look says little Dawnie has some plans of her own – naughty plans.

Damages: Glenn Close & Rose ByrneOK, it’s a little May-December, but think of the delicious power struggle that would ensue.

30 Rock: Jane Krakowski & Katrina BowdenFooled you by not using Tina, didn’t I?

Modern Family: Sofía Vergara & Julie BowenI hear they don’t get along on the set. But, clearly, that’s a cover to hide the sexual tension. Clearly.

Criminal Minds: Kirsten Vangsness, A.J. Cook
& Paget BrewsterGranted, Kirsten is a GG instead of a SG. But A.J. and Paget look incredibly eager to, shall we say, experiment.

Glee: Jenna Ushkowitz, Lea Michele & Amber RileyWhat, you thought I’d forget “Glee” entirely?

Glee: Jessalyn Gilsig & Jayma MaysCould you imagine if Terri and Emma hooked up instead? Best of all, there’d be no need to fake any sort of pregnancy.

Like I was saying, God bless television.

Bust a move

Oh, joy. Oh, happiness. Oh, GLEE! Good news Gleeks, your favorite group of singing misfits will return a week sooner than planned, on Sept. 9. This means only 42 more days until the all-singing, all-dancing, all-snarking fabulosity that is “Glee” returns to our televisions. It’s been a while since a program made me this unabashedly giddy with delight. I think the last one bordering on that was “Pushing Daisies.” And before that, probably “Wonderfalls.”

So what it is about “Glee” that hits my happy place? (No, not that happy place. That’s the “Spartacus: Blood and Sand” trailer) It’s clearly not just the singing. If that was the case I’d be watching Daniela Sea Zac Efron croon about shooting baskets and receiving naughty emails from Vanessa Hudgens. It’s the bite – the sharp, stinging bite that made the first episode such a wondrous thing to behold. Also Jane Lynch. Sweet fancy Moses, let there be more Jane Lynch.

Fox has released a new clip, and it is fan-fucking-tastic. In it, Mercedes (the divatastic Amber Riley) covers Jazmine Sullivan’s “Bust Your Windows” and reveals a doomed love for the club’s resident gay boy, Kurt (Chris Colfer). Cock your shoulder and flex your attitude. Then press play. [If YouTube pulls this non-geoblocked clip, I’ll repost the official Hulu version.]

Besides just kicking all around ass (also, hello bikini-clad cheerleader backup dancers), this clip tells us that not all the numbers in the “Glee” universe will be relegated to the club’s performances. Neat! If any show can make breaking into spontaneous song smoking instead of silly, it’s this one. I replayed that clip three times in a row and it improved my mood tenfold.

So, are you ready? OK! Give me a “G!” Give me a “L!” Give me an “E!” Give me another “E!” What’s that spell? Hell fucking yeah, that’s what it spells.