
Anna Kournikova




But come to this it has and wondrous it is. While no show can have something for everyone, “Glee” has gotten pretty damn close. You’ve got the traditional straight love triangle couple (Rachel-Finn-Quinn), the unconventional couple (Puck & Lauren), the adult couple (Will & Emma), the Asian couple (Tina & Mike), the differently abled/differently intelligent couple (Artie & Brittany), the gay couple (Kurt & Blaine) and now even the beard couple (Santana & Karofsky). That’s a lot of crazy couplings.
But the couple we’re rooting for, against the odds and against expectations, is Brittany and Santana. Sure, we love how sweet Kurt & Blaine are together. Sure there are probably Team Edward/Team Jacob-worthy battles over Finchel or Fuinn (I’m guessing, I don’t know what the straight kids are into these days). And, fear not, I love me some Achele. But the Brittana arc is epic. It’s the kind of messy, not always pretty coming out that isn’t fit for just one very special episode. Is it Shakespeare? Heavens no. But it’s engaging and unexpected, which is a hell of a lot more than I can say for almost anything Mr. Shue has done all season.
And while we’re at it, can we get an “Amen” and “Hallelujah” for the extraordinary work Naya Rivera has done this season as Santana. The ability to drop one liners and WTF faces is one thing, the ability to make us care and break our hearts is entirely another. Naya has given Santana scope. She isn’t just the girl who will cut you with her razor blade words or hair. She’s a person whose world has boiled over with the complicated brew of trying to figure herself out. It’s pretty fascinating and I can’t wait to see how it all plays out. But without Naya, it would be nothing. I know Lea gets all the big heartbreak ballads, but it’s Naya who has truly given this season its aching heart.
So thank you, Santana Lopez. You’re my favorite closeted lesbian/judgmental bitch. And while you might not be ready to eat jicama or get a flattop, just keep wearing that Lebanese t-shirt with pride. We’ll get you to an Indigo Girls concert yet, honey.
p.s. See the entire Brittana saga via locker scenes today over at Ms. Snarker Regrets.
p.p.s. Get your very own “LEBANESE” T-shirt here, courtesy Heather. The entire $2 Café Press markup will be donated to PFLAG. (Kurt would be so proud.) And get 15% off using the promo code “SPRUNG” through Thursday.
p.p.p.s. I really don’t have anything else to add, but isn’t Naya adorably evil in her Davy Crockett hat?
But then, while watching, I thought, “Gosh, that handmaiden looks kind of familiar.” And thanks to you all (Hat tip, Tiffany!), I had my eureka moment. Well, more like a lesbureka moment. Lovely handmaiden Doreah is none other than cheeky daytime TV host Lou from “Lip Service.” Yes, that’s the delightful Roxanne McKee in both roles. No wonder she was so good with the ladies. What? Can’t remember Lou? Well, let me help jog your memory a bit with a little visual aid. I’ll bet Tess hasn’t forgotten her. (NSFW, oh, like that’s going to stop you.)
Of course, watching that little interlude from “Lip Service” just reminds me how much I miss “Lip Service.” In fact, it even makes me miss “The L Word.” Because as much as I love the lesbian/bisexual storylines on “Glee” and “Grey’s Anatomy” and “Pretty Little Liars,” they’re just one storyline out of many others. What was so great about “Lip Service” and (when it wasn’t annoying the shit out of you with incomprehensible plot points and pointless murder mysteries) “The L Word” was that they were all about the gay ladies. And without them we wait, impatiently patient, to see ourselves pop up again. Or even make due with a little practice session. It does make perfect, after all.
If you want to enter, leave a comment with 1) your email (feel free to spell it out if you’re worried about spam), 2) your state/country (what, I’m curious) and 3) if you really want to indulge my curiosity, how long you’ve been reading (any old timers in the five-year club?).
I’ll pick a winner at random next Friday, so feel free to enter until midnight Thursday night. I know it’s not much, and I wish I could send you all one. But this is just my little way of saying thanks for being interested in the random things that rattle through my head on a daily basis. I read all of your comments and tweets and emails and while I can’t get back to all of you as I’d like to, I appreciate them more than you’ll ever truly know. Happy weekend, all.
p.s. Even if you don’t want to enter the contest, please feel free to still tell me where you’re from and how long you’ve been reading. I’d love to know.
ESQ: “Do you look for different things in men than in women?”
ERW: “Yeah, I’m more kind of like the guy when it comes to girls. I’m the dominant one.” It’s with women, she says, that her inner North Carolina gentleman comes out: “I’m opening the doors, I’m buying dinner. Yeah, I’m romantic.”
I’ve always admired Evan’s work. She had basically grown up right in front of our eyes. From “Once and Again” to “Thirteen” and “Across the Universe” to “The Wrestler,” I’ve always admired that she tends to picked smaller, smarter projects instead of, say, a superhero’s girlfriend. So welcome to the fold, darling. I know you like to pick up the check, but today the first round is on me. In fact, I’ll buy you two. The second one if for that beautiful scene between Jessie and Katie in “Once & Again.” It moves me still.
Of course, this is not the mighty Mirren’s first time cocking up with curse words on live TV. .
And the most delightful thing is that she doesn’t even need to resort to dirty words to be dirty. Or, more accurately, diiiiiiirty.
Oh, Helen. Please talk dirty to me whenever you want.
But I was disturbed by what I saw happening with the women in the premiere. (MORE MAJOR SPOILERS) We see a wife to a powerful lord, who seems loyal but has little power. We see the queen to a king, who appears to be evil and power hungry and – oh yeah – is totally fucking her twin brother. We see two daughters of the lord, who are made to go to crocheting class while the boys learn archery – one is kind of boy crazy and one is a tomboy. And we see the sister to a power-hungry brother who sells her off to the head of a warrior tribe who then consummates their relationship against her will. Fun times for the lady folk, let me tell you.
Still just because these are dark times for women, does not mean better days aren’t ahead. What I understand from reading about this series is that us feminist fans will need to be patient. This is clearly not a woman’s world – right now they are largely just for pawns or playthings for men. But the question is will the series allow them to overcome their relegated positions in this society? Will we see independence, influence, intellect? I really hope so.
To me feminist stories do not require that all the women are portrayed in a positive light or necessarily even treated well. But it does require that female characters are allowed to be complex and layered and ultimately in control of their own destinies. Are women integral to the story outside of their relationships to men? Do they wield any power? Do they show strength and smarts and other abilities and not just sex appeal? Do they get to be human, just like the men? That is what makes a story feminist. That is what makes a story worth investing in for me.
If “Games of Thrones” starts to make its ladies more than just pieces in powerful men’s games, then I’m in. If it doesn’t, well, then game over.
EDIT: Just wanted to add that I thought it was very interesting and more than a little troubling that, as one of you commented, Dany gave her consent in the book, but not the show. That means the entire foundation of their future relationship in the series will be different from the original book. Like I said, troubling.